NSFS-136 丈夫预约的不是房间，是妻子

NSFS-136 Editorial notes

Honda Hitomi plays the wife in a dual‑career couple. Their schedules never align, and their sex life gradually stops. The husband does not lose desire because of this; instead he increasingly wonders: if someone else were to hold her, how would he react?

A colleague gives him the address of a "gallery". There is no need for rivals or romance; the wife is simply arranged, rotated, and used according to rules. The bed, the corridor, day and night all belong to the gallery's system; private relationships are treated as a service that can be booked.

What makes this work most special is that the third person is completely unimportant. Anyone can replace her, because the husband truly wants to give away not affection but the qualification that his wife belongs only to him. The less tenderness, the more he can confirm that what he sees is exactly that which has been stripped away.

My interest in the "gallery" series lies here: in reality, there are rarely such tidy systems, but it states a desire directly enough. The husband personally books, the wife enters the rules, and others merely execute. No one has to pretend to be love; the cuckoldry still holds.